In this article, we compile the results of a brief survey of several former Isis editors and staff members to consider the sensory experience of editing the journal. We explore how the place and space of office life, with its materiality, its human and nonhuman elements, its smells and sounds, its presences and absences, and the particular tedium and urgencies of the HSS editorial offices, presented itself. We then ask, in turn, how these rhythms and workflows have informed the collaborative exercise of producing scholarship in the history of science.